Nothing added or subtracted. When the shootout finally gets underway, lights are dimmed, eyelids fall and ears peak. With each cut sampled, the usual things are carefully pondered: presence, frequency extension, transparency, soundstage, texture, tonal correctness, and an elusive quirk called "tubey magic" seriously.
Every element is scrutinized in granular detail. If opinions diverge or memories fail, reference copies are pulled from the archive to check benchmarks. It's tedious work. When the grades are tabulated, a sonic pecking order emerges:. It's tempting to dismiss hot stampers as pseudoscience, like cryogenically treated speaker cablespower amp fuses zapped with Tesla coilsand every other confidence scheme devised to separate affluent middle-aged audiophiles from the contents of their wallets.
Talk to enough studio engineers and record plant technicians, though, and it becomes apparent that the aural disparity between records that Tom Port prattles on about really does exist. Industry experts agree that copies of the same album can, and often do, sound different; sometimes a little, sometimes a lot.
Not just from copy to copy, and from side A to side B, but from track to track, and, yes, even within the same track. In fact, vinyl records made on the same stamper, during the same production run also can vary in sound quality. Other copies, bearing different record labels, pressed in different countries, using different equipment and personnel, will impart their own sonic flavor, which only muddles the issue further.
Only the producer, the mastering, and cutting engineers really know what that record was supposed to sound like. Most members of hobbyist web forums who discuss vinyl records are vehemently anti-hot stamper. It's the exorbitant markup, of course, that provokes all the outrage.
The first pressing, mastered by a young Bob Ludwigbeats every other pressing and reissue by a wide margin. This record is easily identified by scanning the matrix, a product code located in the run-out area next to the label. Known among dealers as the "hot mix," it has such energy and dynamic range that when it was released it caused the needles on cheap record players to literally jump out of the grooves.
This happened when Ahmet Ertegun, the president of Atlantic Records, brought a copy home to his daughter. Judging the record defective, he immediately ordered a new pressing with the signal dialed down and compressed.
Ludwig would later lament that this version " sounded puny and aghh! Still, like everything else having to do with manufacturing vinyl records, there are no rules or absolutes. A desirable matrix isn't foolproof. It's only a good omen. This is what keeps Better Records in business and earns Tom Port a comfortable six-figure income.
If there is one question that needs to be asked at this point, it is this: Who actually buys these things? Bill Pascoe, a full-time political consultant and part-time audiophile, is one such customer.
Like all hot stamper addicts, he was initially skeptical. Port's notes boasted that it crushed the lavishly praised Cisco gram Aja reissue. Pascoe was dubious. If you're going to spend tens of thousands of dollars Album) hardware, why wouldn't you pay a few hundred for the software?
Today, Pascoe owns more than hot stampers. Adjusted for inflation, that's the equivalent of buying a new Mercedes E-Class. The only difference is that one has an excellent resale value. Lawry admits this pricy vinyl won't pad his investment portfolio, but he has no regrets. A recent salary cut, LP, however, has forced Lawry to curb his vinyl excess.
Port has particular disdain for these premium, heavy vinyl records, with their bonus tracks and glossy liner notes. The year-old California native pauses. Then they paid for it. Following a dizzying three-album run in that powered the unusually large collective to superstardom, they began to fracture. Until the next crisis. In a classic showing of international pop solidarity — or perhaps just genuine friendship — the Colombian Balvin and Puerto Rican Bunny dropped their long-awaited LP, Oasisthis summer.
Some bands go their whole careers without hitting on a sound as finely honed as the one Sheer Mag put forth on their first three EPs.
Corin Tucker still brought the noise, paraphrasing Yeats on the title track in a bloodcurdling howl for a nation and maybe a rock group, too. Vincent, a fellow guitar goddess who gave the music a chrome-plated, synth-powered sheen. The LP may have marked the end of an era. But it was both a fitting capstone and an auspicious new chapter.
Just let it flood through. Martin cited Paul Simon and Rammstein as big influences. But she really hits home on Remind Me Tomorrow, her fifth and finest album. She goes for an expansive electro groove, but with all the stark intimacy of her early acoustic-guitar days.
Instead, they blew up the blueprint yet again for Ode to Joyan exercise in radical restraint that yielded their best album in ages. But she looked to the future, too, passing the mic to rising stars Saba and Nitty Scott, whose cameos are pure fire. It also netted her four Grammy nominations of her own. With less to prove this time around and his boy-band past Jenny Lynn - Jim Post - Looks Good To Me (Vinyl further away than ever before, the album is the sound of the star having a bit of fun.
Bruce Springsteen has spent the last several years looking back. He celebrated the Jenny Lynn - Jim Post - Looks Good To Me (Vinyl anniversary of The River with a box set and tour, released a memoir, and put together a reflective Broadway residency.
Fittingly, the LP is filled with has-been L. The singer and multi-instrumentalist, long commended for his ability to spin a beautiful melody, retreated into himself, and his gear. With 22, a Million, the result was an album that was fraying at the edges; it sounded like a corrupted file. On i,ihe stays the path, wielding the same electronic distortion to offset the painfully earnest message at the heart of this album: a straightforward plea to be good to one another.
Chicago rap is having a moment this year — its sound is melodic, pained, beautiful — and Polo G is the emerging leader of a new class of rappers from the city. Die a Legend is a remarkably confident full-length, marked by both a sensational ear for beats and a near-reflexive sincerity. Across 10 songs and 23 minutes, the debut album from Gecs — the duo of Dylan Brady and Laura Les — manages to sound like a billion different things. For six years, Young Thug was an uncontainable force: The otherworldly linguistics, the riotous ad-libs, and borderless melodies, along with the dresses and skirts and gender fluidity, broke a genre in need of breaking.
Then So Much Fun resuscitated the mercurial musician. Direct and digestible, the album is Thug at his most streamlined. There are no heady concepts or genre detours; instead, the track list is loaded with major stars Future, J. Cole, Travis Scottand every beat is uncomplicated and dynamic. You can bring you records to us, we can collect them, or you can send them to us. Our service is always fast, friendly and professional. You don't need to be the expert as we do all the difficult stuff.
Selling to us is easier than selling it yourself — If you have a collection of 30 records, that would Jenny Lynn - Jim Post - Looks Good To Me (Vinyl 30 different listings on Ebay, lots of questions to deal with, 20 different parcels to package as at least 10 won't selldealing with items missing or damaged in the post and possible fraud. So often a daunting and time consuming task, it's much better to leave all that to us. So if you want the best deal for your records, CDs or memorabilia, just call or email us today.
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May 18, · Denver CO—Vinyl Me, Please today announced The Story of the Grateful Dead, a limited-edition 8 album, disc deluxe box set featuring 4 studio albums and four "essential" live albums all cut by Chris Bellman at Bernie Grundman Mastering using the original analog master tapes, housed in "Tip-on" jackets and pressed at QRP on colored vinyl. Discover music on Discogs, the largest online music database. Buy and sell music with collectors in the Marketplace. Do you have vinyl records, CD or music memorabilia to sell? We buy 7"s, 12"s, LPs, CD albums, CD singles, and Pop and Rock Memorabilia from the 50s, 60s, 70s, 80s, 90s, s and onwards, from single items to whole record collections. Jenny Lynn's monograms and vinyl. likes. I am here for all your embroidery and vinyl needs. Jenny Lynn, Nashville, Tennessee. 16, likes · 3 talking about this. Official music fan page for Christian Artist, Singer-Songerwriter Jenny Lynn! Apr 12, · Test the market. Online auctions are a good place to estimate and test it out on the actual record buying market. Raise the estimated value somewhat to be safe, and wait and see what people offer. Consignment sales, flea markets, and even yard sales are also a good place to sell vinyl records as long as the value of the records is protected. This is the kind of tooting vinyl figure you want to have a drink with. The Ting Tipsy Edition Vinyl Figure by Sket One is limited to just pieces and will go on sale at 8pm EDT on Sunday, August 16th, exclusively on the NTWRK mobile app. Mar 14, · Jenny Lynn if you listen closely, has subtle echoes of Jenny Lind Polka, named after the "Swedish Nightingale" opera singer who toured America several times in the midth century. I wonder if the composed tune filtered through generations of fiddlers, . Jan 14, · Good luck finding a video of Bill playing Jenny Lynn. Pending a video surfacing, here is a live recording of Bill playing the tune; hopefully that will suffice in the interim. jenny balnalatelesupprosivadisbere.coinfo3. Aug 02, · Why you should listen: Angel Olsen has become the queen of "sad girl indie," and this album is a great introduction to those who haven't had the pleasure of having a good .
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