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Its All Right With Me - Sam Fonteyn - Big Band Spectacular (Vinyl, LP, Album) download full album zip cd mp3 vinyl flac

Jerry Lee Lewis. Willie Nelson. Albert King. The Jelly Beans. Lionel Richie. Lenny Kravitz. Travis Haddix. Chi Coltrane. Little Milton.

The Byrds. Frankie Valli. Henry Lee Summer. Blues Boy Willie. Larry Warner The Whoopee Man. Robert Palmer. Little Richard. Safe Shopping. At the family service at the Woodvale Crematorium chapel, she was serenaded by a Royal Marine bugler.

Her family have said a public memorial service will be organised for some time in the future. From Wikipedia, the free encyclopedia. English singer and actress. Official UK Charts. Retrieved 14 December Official Charts Company. Retrieved 13 May Retrieved 20 June You Must Remember This. Great Britain: Boxtree Ltd. The Daily Telegraph.

Smooth Radio. Retrieved 18 June I didn't complain ' ". The Guardian. Some Sunny Day. London, UK: Harper Collins. Twentieth-Century Music. London, UK. Oxford University Press. Archived from the original on 1 January Retrieved 23 October Britain's War.

The British Musical Film. Manchester University Press. Stars in Battledress. London, UK: Hodder and Stoughton. Retrieved 14 June The Times Retrieved 1 January Retrieved 10 January Retrieved 18 December The TimesThursday, 20 January ; pg. Gove Music on Line.

Retrieved 14 March Its All Right With Me - Sam Fonteyn - Big Band Spectacular (Vinyl via YouTube. Retrieved 22 February Retrieved 20 March — via YouTube. Retrieved 18 June — via Issuu. Global Dog Productions. Apple Music. Vince, Peter; Rouse, Allan, Album).

London: Omnibus. BBC News. LP Discography. Retrieved 21 March Response Source. Retrieved 27 May Retrieved 2 January Retrieved 26 August Daily Mirror. Retrieved 9 May Retrieved 2 February Retrieved 1 February NME Music.

Classic FM. Retrieved 14 March The Belfast Telegraph. Retrieved 7 February Sussex Express. Retrieved 6 April Memorial University of Newfoundland. Strange new harmonies, polyrhythms, pantonality and extended composition — with Russell and Gil Evans, jazz just became a complete new zone of potentialities. More influential on the jazz community directly, on Miles, Coltrane and Oliver Nelson, than through its sales, this is the one that so many musicians still check out. A masterpiece of small group playing and a masterclass on the role of composition in the music.

Getz tsRoy Haynes dchamber string group and Hershey Kay cond. Nothing in the history of jazz soloist-plus-strings recordings could prepare the uninitiated listener for what this album delivers. Focus stands in glorious isolation even within the jazz tradition but is a certifiable classic within the genre that others still cite in awe.

By the time he made this date, Corea had worked his way through a heavy avant-garde phase and out onto the sunlit plains of his own latin-based musical imagination. Intoxicating music played by masters makes this an era-defining milestone.

Heard and Jackie Mills d. However, her discography on vinyl is convoluted: her s 78rpm output, where she was normally a featured singer rather than the star, had to wait until the s to appear in any ordered way and the s to appear substantially on CD. Ditto her s Deccas. By the time she settled with Verve in her voice had darkened and lost its suppleness.

This bold attempt to expand the boundaries of jazz in a dramatic jazz, blues, rock, Hendrix, MC5 amalgam left temperate listeners shell shocked and critics speechless. This is jazz, rhythm and electricity writ large in a tumbling roller coaster of ideas. No wonder the album was called Emergency, with every member of the band having so much to say but so little time to say it. Adderley was about to push into the soul-jazz era when he made this one-off for Blue Note.

Miles got the altoist to shine through ballads and burnished blowing throughout, complementing in fine style while the rest of the crew kept a discreet distance. Review Cannonball Adderley — Somethin' Else. Even techno fans — no sampling as such — will find early creative use of editing, recycling and overdubbing. Even more creative is the work of soloists such as Jackson, Byard and the amazing Mariano later of ECM and all points eastand the unaccompanied flamenco guitar part apparently written note-for-note by Mingus himself.

Norman Granz had long cherished the ambition to have Ella recording for his label but had to wait until to make the signing. His first project for her was to record as many Cole Porter songs as they could lay their hands on in large ensemble style and release them initially as volumes one and two on an unsuspecting but quickly enraptured public.

The idea caught on and Ella kept doing composer songbooks well into the s. Feature Ella Fitzgerald: essential recordings. Ellington often acknowledged that the Newport Jazz Festival offered him a virtual rebirth in terms of his in-person and recording career but there is little doubt as to why. The fact that 60 per cent of the original including just about all of The Festival Suite was recorded in the studio in the following days due to onstage microphone problems was only confirmed decades later.

The original vinyl had just three tracks: this was also the original CD configuration. A later two-CD version combines much improved sound with the complete festival appearance, plus studio extras.

The Herman bands — they came to be known as the First and Second Herds — were s big band punk, high on their own adrenalin, testing all the boundaries and playing stampeding music that remains some of the most exciting of the last fifty years, whatever the genre: these guys took the sophistication of Ellington, grafted it on to the bone-chilling excitement of the Gillespie big band soloists and anchored it with the insanely swinging rhythm section of bassist Chubby Jackson and drummer Dave Tough.

This set, first pulled together on vinyl in the s and re-jigged many times on LP and CD since, preserves the best of a truly great big band and its leader. Intensity, meaning and space are essential to understanding what is probably the most misunderstood approach to jazz improvisation. By then the first album had delivered a blues-plus-bebop blueprint for the jazz organ trio that Smith would subsequently develop, refine and occasionally revise, but that stayed remarkably consistent in content and quality over the next decade.

A classic jazz album produced at a time when such albums seemed to be coming out every other day. Essentially the Miles Davis Quintet of the day with Hubbard pinch hitting for Davis and playing as well as he would at any point of career it contained two Hancock originals that would assume quickly the status of jazz standards.

Blakey was in on the ground floor when it came to the evolution of hard bop into soul jazz, having co-led the first Jazz Messengers with Horace Silver back in But the real jewels on this album are the eight solo selections recorded in February The level of invention Powell achieves puts this recital on equal par with anything in the recorded annals of jazz piano and makes it basic required jazz listening.

They also had a secret weapon in that all four musicians were steeped in the blues and could wail whenever they needed to, thus obviating any tendency to effete noodling when things got a little formal. Fontessa was their first for Atlantic with the fully integrated line-up including Connie Kay: it delivered a perfect blueprint for the many MJQ advances of the next decade.

Wes Montgomery simply played differently from all the others. He picked the strings with his thumb instead of a plectrum, creating a fresh, warm sound — sensitive on ballads but incisive on fast tempos. His solos would move through three stages, beginning with single-line improvisation, then shifting up a gear with passages in unison octaves, before building to a climax with lines stated in block chords.

Sinatra the jazz singer? There are vast swathes of Sinatra recordings that could never be remotely described as jazz, but the man himself credits Tommy Dorsey and Billie Holiday as his musical mentors and, when he put his mind to it, he could phrase and swing with the best. Davies, whose expertise in this area is legendary. Except he did it first. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics.

KS Reissued on Chess. This one turned everyone around. Ornette set the musicians up in two parallel quartets, arranged some loose themes and collective playing to book end the entire performance as well as section off each solo, then let the musicians loose for a collective bout of improvisation that lasts well over LP an hour reinventing the possibilities of jazz as it does so.

The overall marvel of this record is that, while it proved to be so pregnant with ideas for those who followed in the next decades, the music grips the listener as excitingly as ever today. Brubeck rarely gets his due. A shame, because his good qualities are pretty special. For starters, he knew exactly the way to get the best from Paul Desmond, and for that we should all be down on our knees in thanks.

Put that all together and the unusual time signatures that mark this album out tend to pale in significance while the music remains convincing.

It may have been jazz-rock after Bitches Brew, but after Head Hunters jazz-funk was the flavour de jour. The release represented a u-turn of spectacular proportions from the more esoteric direction mapped out on Crossings and Sextant to an album aimed squarely at the dance floor which is where it scored. Review Herbie Hancock — Head Hunters.

Ayler made a couple of revolutionary records in Europe two years prior to this but the first ESP-Disk was the one Album) made the breakthrough in terms of reaching out and changing absolutely everything. It was only later that his musical forms were grasped and understood. On release, the record changed every conception of what constituted cutting-edge jazz overnight and unleashed generations of imitators.

But Albert did it first, and did it best. It lit up the night sky for Album) two years, everything was played at mph with the Marshall stacks turned up to eleven. It left audiences in awe, then suddenly was gone. McLaughlin redefined the role of guitar in jazz, Cobham the drums and the band set new standards in ensemble cohesion. They did it without sounding glib, a trick their legion of followers never fathomed.

They also sold albums in pop numbers and played arena rock stadiums. Feature Ten of the best Louis Armstrong albums. Funnily enough, although Out To Lunch has the iconic cover and evolutionary reputation, the real breakthrough Dolphy disc, Conversations, was made the previous summer,for the tiny FM label.

Be that as it may, Out To Lunch represents another side of the Dolphy genius, showing him as a musician-leader intent on involving his entire group in the improvisatory process at every level and at all times. What would he have done next? The great man himself knew that this album was a culmination rather than a new beginning, but that probably accounts for its consummate artistry as much as any other reason: Coltrane was the most thorough of players.

Some CD versions have as many as eight bonus tracks. Feature John Coltrane — Giant Steps. Jarrett burst onto the international jazz scene as part of the ground-breaking Charles Lloyd Quartet of the latter s, moved on to running his own trio, briefly joined in with the Miles Davis electronic voodoo soups of the early s, then retreated to acoustic music and a re-examination of what he was attempting to achieve in his music.

This led to something of a temporary eclipse in his profile in the first half of the s, although his creativity continued to diversify and deepen. This remains the case with Jarrett and with the record, which is not only a jazz turning-point in its own right but one of the biggest-selling discs in the genre. From whatever perspective you choose to view the s — from the Cuba Missile Crisis to the rise of the counter culture movement, the student riots in Paris in May to the growing anti-Vietnam protests across the USA, the advent of the pill to the rise of rock music — established values were being openly questioned, upturned and in general shaken up.

After all, combining jazz and rock? With Bitches Brew the jazz-rock message was handed down from the mount on tablets of stone. Parker, of course, made his most innovatory music on record prior to the invention of the LP, so every collection of his brilliant music from the s is a latter-day compilation of the original 78rpm singles.

These days, you can buy the complete Parker Savoys and Dials in a lavish multiple CD set, but you get all the breakdown, alternative takes and other bits and pieces, making it a trial for all but the committed Parker enthusiast. Undiluted precedent-breaking music from Parker, aided and abetted by the best and most sympathetic colleagues of the day. Feature Charlie Parker — Bird Lives! Just as with the Monk at number six, this classic album also represented a career breakthrough.

Recorded not long after his Blues And Roots, but Atlantic deliberately held that back for over a year because the bassist had signed his first contract with Columbia, the major whose distribution, especially to the white audience, was much more powerful. Recording of Brilliant Corners began 50 years ago next month, making an impact hard to imagine these days.

The first new Monk album to receive more than a guarded welcome in the press, the praise was entirely justified. Rollins and Roach, currently making a success of the newly Clifford Brown-less Roach quintet, had worked for Monk before but both were seriously challenged by his material here.

Using the bubbly Clark Terry and Paul Chambers on a subsequent session was a stroke of genius, as was the unaccompanied piano track. And the whole thing was released just as Monk began his historic group with Coltrane. Was Sonny Rollins ready in ? Was he ready! But Saxophone Colossus towers above them all, not only because it concentrates on a quartet setting allowing undiluted access to the creative process of Sonny at his most inspired, but because it is one of those happy coincidences where all elements came off equally well, including the use of unusual repertoire and inspired originals.

Punk rock (or simply punk) is a music genre that emerged in the mids. Rooted in s garage rock, punk bands rejected the perceived excesses of mainstream s balnalatelesupprosivadisbere.coinfo typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce. Sam Fonteyn Big Band Spectacular The original LP TWO () STEREO. This Could be the Start of Something Big (Allen) My Hero (Straus; Stange) Hello, Dolly! (Herman) It's All Right with Me (Porter) Come Rain or Come Shine (Arlen; Mercer) Get Me to the Church on Time (Lerner; Loewe) Strike up the Band (Gershwin) Let's Do It (Let's Fall in. Big Band Charts Big Band Charts $15 per chart (unless otherwise noted) A “chart” is an arrangement (a full orchestration), it includes all of the parts for all of the instruments. These Big Band Charts are, generally, note-for-note transcriptions of the big band charts that the original band recorded. LPs measure a foot across and spin at just over 33 rotations per minute. A vinyl LP can hold up to an hour of music on each side, so they are a popular format for albums. In longer albums the grooves have to be cut closer together which can affect sound quality. Many . Jul 01,  · Check out Big Band Spectacular + Drum Spectacular by Sam Fonteyn/Kenny Clare And Ronnie Stephenson on Amazon Music. Stream ad-free or 5/5(1). Find helpful customer reviews and review ratings for Sam's Town at balnalatelesupprosivadisbere.coinfo Read honest and unbiased product reviews from our users. What an album. "Sam's Town" () is an atmospheric masterpiece that demonstrates the height of The Killers' talent. When I first heard this album in October , it reminded me of themes from U2's "The Joshua Tree" (): the desert imagery, the expansiveness, the aching, the beauty, the spirituality--the originality--the notion of saying to yourself, "wow, this music is so different and. Online shopping for CDs & Vinyl from a great selection of Soul, Funk, Contemporary R&B, Motown, Quiet Storm, Classic R&B & more at everyday low prices. 15 Spectacular Performances [LP] Marvin Gaye $ $ 19 () Up All Nite With Prince: Best R&B Album / . Nov 27,  · MS - 51 Country Club Favorites - Sounds Spectacular Orchestra [] MS - 15 Favorites - Sam Makia [] MS - 51 Belly Dancer Favorites Volume 2 - Gus Vali [] M2M /M2S - The Gene Pitney Story - Gene Pitney [] Two record set. There is a monaural promo version of this album. 5. Moondog, More Moondog () Freaky category-buster Moondog has long been a hero of the rock-snob set. His woolly album—a mix of spoken snippets and weird percussion tapping out tricky time.


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8 Replies to “ Its All Right With Me - Sam Fonteyn - Big Band Spectacular (Vinyl, LP, Album) ”

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    West Side Soul was Sam’s debut LP and is considered one of the greatest electric blues albums of the s. Sam’s repertoire includes some fine original material as well as energized.
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    Dec 09,  · Marvin insisted. It is one of the first examples of an artist going against a label for creative freedom. Gordy relented and this album stands the test of time as one of the 4 or 5 greatest albums of all time. Listening to this on vinyl again is so very inspiring. Nothing close to this recording has been released in the last 25 years/5(1).
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