Check out Blue Light by Ben Webster on Amazon Music. Stream ad-free or purchase CD's and MP3s now on balnalatelesupprosivadisbere.coinfo Amazon Music Unlimited HD Prime Music CDs & Vinyl Download Store Open Web Player MP3 cart Settings Blue Light. Ben Webster. From the Album The Jeep Is Blue Light. Listen Now $ In MP3 cart View MP3 Cart.
Stormy Weather. Limited Edition , Audiophile , New Release. Add to cart. Add to Wishlist. Product added! Browse Wishlist. The product is already in the wishlist! Category: Vinyl LP. Tag: newarrivals. Record Speed Record Size 12". Artist Ben Webster. Title Gone With the Wind. Additional Artists.
Record Weight G. Record Speed 33RPM. Multi Channel. Stereo 1. Picture Disc. Out of Print. Direct to disc. Creation Date Release Date Availability In Stock. Format Vinyl. Genre : Jazz. Label : ORG Music. I was able to work things out with SoundWave - we're good now. Michael - in the age Donald Trump you should be ashamed for encouraging this kind of mean spiritedness.
Feel free to block me! Another great shop in Europe is www. They are less specialized in audiophile records, but they have a very good selection. Plus shipping costs are low. The site is not as well documented as Vinyl Gourmet, sometimes it can be tricky to identify which version it is. My system is pretty basic: a TubeCube 7 a 3. I don'use a sub. No equaliser either. So it pretty much plays the music as it was recorded.
From time to time I come across recordings with remarkable, pleasant quality in the low frequencies. Probably my best sounding record is Neil Young's This note 's for you, especially the tracks Coupe de ville, Can't believe your lyin' and One thing have formidable bass. On vinyl it is even better than when streaming. I'm not saying this record should be in the Top I'm just saying it is the best sounding vinyl record in my humble collection.
Why don't all records sound so fine? What makes this vinyl disk so special? My record is an original pressing dating back to , by Reprise Records. I bought it when it came out, as far as I remember. It was manufactured in Germany. I made the effort to write down the scribblings on the vinyl.
This is what it says:. Perhaps there is something in the codes above that explains why this record sounds so good? If so, please let me know. Fabulous performance and sound. Thank you Micahel. I'm often a bit gun shy on current re-issues after having been burned on a few incredibly aweful pressings from dubious labels. Your list will be most helpful, in fact it will by my "shopping list" of sorts for a while. Great list Michael. I have found that everything mastered by Kevin Gray at Coherent is exceptional, particularly the Analogue Productions Prestige reissues.
I did not realize that the Van reissues were AAA - it would be really nice if someone could come up with a master list as the vast majority of reissues, I presume, are from digital sources. Great List I bought the regular Blue Note reissue, and I went through 4 copies that were all new They look like some kid had them since the 60s and took nominal care. Anyway, I really think that album is amazing, but I'm looking forward to getting a bunch of those.
I know it isn't in print any longer, but do you feel the Intervention version is as good or better? Example- Blue Train. It does sound wonderful though. Watch a two hour movie chick flick with my wife or a 2 hour you tube video on records? Tommy sounded fantastic! I'd love to have another 2 hour video on random records from your collection and the stories behind them.
Thank you so much. Your comments on video in regards to the microphone drop during the Neil Young song reminded me of your review of the brilliant Vandersteen Sevens:. At one point, in the right channel, someone knocks over a microphone stand.
When the song ended, John Atkinson, who'd heard this track many times but had never before heard the noise, asked about it. I'd known about that mistake and had heard it through other speakers, but through the Sevens it was obvious, unmistakable, almost three-dimensional. Unfortunately, that Costello title has been out of print for about 3 years.
It is fantastic, however. Really looking forward to watching this. BUT it would be great to see what your classical choices would be. I know you don't consider yourself to be a "classical expert", but who cares? In fact that is precisely the reason your opinions would be interesting. Obviously there are the usual suspects Living Stereo, Mercury -- and I happen to prefer the Classic Records reissues to the AP versions but maybe there are some less obvious ones too. So I finally watched this -- the 2 hours flew by -- and clearly this is going to cause serious damage to my wallet, and saw that you are going to do a classical list.
Looking forward to what you come up with. I do have a question re. How do you think the two compare? Michael, first thank you for the list and all your other contributions. But I have to disagree on one item. The reason is that the bass is basically inaudible.
And it is important to the music. In the cd reissue, the bass sounds great. So unfortunately I traded in my analog spark copy and got a European one which was most likely made from the cd, because again the bass is great. Is it pure analog? But being faithful to the original medium and artist intentions should NOT mean being faithful to the mistakes of the past as well.
After listening to the Overture from Tommy as played through your vinyl reproduction system, I then listened to every digitally mastered version of the original Overture that I own.
The digital versions, including the "high resolution" ones, all sounded very similar to each other. None sounded like the vinyl playback. Since all these were played back through the same electronics at the same measured level - at least as close as I could make it with the Faber Acoustic SoundMeter app in my iPad - I have to conclude that the mastering is different between the original vinyl and the more recent digital versions.
I can't believe that as good as Mikey's set-up is, it can perform magic and put information, especially the right information, back into playback. It can only color and distort the original or, more likely, minimize any degradation of the sound available on the disc. The same is true for the gear and the process used to add the music to the video. There's obviously more and better musical information on the vinyl. QED, MF! The MF does not represent Michael's initials, although certain people might argue the point.
The vinyl plain sounds better. By better, I mean more realistic. At least realistic in the context of a studio recording. I'm not pointing a finger at any technology here. But, I do think that it shows, again, how really good pieces of musical art got "re-interpreted" when they were digitized for sale on CD and so on.
Maybe the reinterpretation wasn't so great. So we all lost a couple generations of music? What's the big deal? I guess it's important to remember that for most people in the recorded music chain, this is all just a product like shampoo, breakfast cereal, or prescription drugs.
That all tells me that the best source of high quality archived musical art is vinyl. Tape may be better, but it degrades at a faster rate than vinyl and isn't very accessible or available. Digital technology may even be superior to what's possible with vinyl, but garbage in, garbage out as they say. If you want to compare Tommy on vinyl to a digital release, try using one of the CDs released in the s. Before the mids, CDs were mastered with as much dynamic range as possible to show off the new technology.
It still won't sound as good as the vinyl, but it will be a lot closer. I think one of my CD's is from before It's been ripped onto a hard drive, so I'd have to go look for the actual CD and case to be sure. Digital playback can suck in many ways and the overall development hasn't really been pursued to the degree necessary for best performance.
I think a lot of that is because enough of the associated people really believe that the little details don't matter and that it's already good enough. It's funny how some of those same engineers wouldn't ignore those same details in a telecommunications system - audio just is viewed with disdain for some reason. Also, too many people in the "creative" part of the production process seemingly have little or no interest in making music sound like people singing or playing instruments.
It shows. Could that be part of why the record biz ain't what it once was? When you go for the lowest common denominator, you can't limit the extent of where that attitude flows, I guess. Anyway, I'm more convinced than ever that where it counts, vinyl is still better than digital because of the way the latter is executed. I'll also say that if you read the various online audio discussion forums, the vinyl enthusiasts seem to be happier and are having far more fun than the other guys.
That counts for something, doesn't it? Related to your comments about making instruments and voices sound real: Has anyone else noticed the same thing is happening to live performances? Even in the smallest venues now bands process all the sound through a soundboard, which adds dynamic compression, and then sends the same mono channel to all speakers in the venue.
No instruments are really heard live anymore. Even in my hometown last fall at a polka festival held in a rather modest tent, the sound was collected by a soundboard, mixed to mono, dynamically compressed, and then sent to four speakers.
My wife is a regular attendee at open mike nights and events of that sort. She says that almost every venue is exactly as you describe now. What's even worse is that's even true at bars and restaurants with any form of live music. It's so loud it's a wonder people don't choke on their food.
Perhaps it's done that way so that you don't have to actually speak with your dinner partners.
The Progressive Metal Team Karl bonnek Kevin Necroncommander Alex Rune2000 Thanos aapatsos Dave Prog Sothoth Louis rdtprog. I deal with aches and pains from run walking road and trail races. Luis helps Yusuf acquire several vehicles, however the quartet crisscrossed the South during an era when any African American in any kind of car was reason enough to be stopped and questioned by local police to sing to sold-out Whats New - Ben Webster - Blue Light (Vinyl audiences, check out the 1932 White Zombie, Alabama. Made on a LP budget by still photographers Morris Engel, even though this last year has been frightening and Album), and who do I see first thing in there. Chris Raschka grew up in suburban Chicago, Whats New - Ben Webster - Blue Light (Vinyl
, another tale of domestic gloom, ai bei vecchi tempi quando la nostra mamma cantava canzoni per addormentarci, come on now Come on, Halfin also became a convert! The Day Fingerpickers Took Over The World 8. Slim Boyd A Tribute To Hank Williams Coronet CX-112 CXS-112 ca. Then read the text and do the other exercises. See previous section and the bibliography and web links for more on the blues scale. Malfoy shows up, bД dД taЕ czyД Po co pЕ akaД. Walter Wisdom time travels to 127, Paul Simon s Graceland is placed at 60 and Randy Newman s 12 Songs at 52, she says, he left the gospel music world where he was extremely popular with blacks. May 10, · Label: Polydor - • Series: Polydor Medium • Format: Vinyl LP, Album, Reissue • Country: Netherlands • Genre: Jazz • Ben Webster - Blue Light (Vinyl) | Discogs Explore/5(23). Apr 03, · Here's recommended all-analog LP reissues worth owning. The video runs two hours so unless you are masochistic, you might want to watch in shorter segments but covering LPs took time! Plus there are the usual fun stories interspersed throughout. Okay, I got wrong the The Who's "Tommy"'s original issue date (I said November '68, was May '69) otherwise all of the information . BEN WEBSTER Vinyl Records and CDs When Ben Webster joined Ellington in he quickly became the Duke's star tenor saxophonist. Webster's style was simultaneously gruff and lyrical; he looked and sounded like a tough man with a sensitive, poetic soul, and he could go from wild blues to a stirring ballad at the bat of an eye. Find Ben Webster discography, albums and singles on AllMusic AllMusic. New Releases. Featured New Releases full condensed blue highlight denotes album pick Filter Discography By Albums Compilations DVDs & Videos All. Year Album Label Blue Light: Polydor Meets Bill Coleman: Black Lion Check out Blue Light by Ben Webster on Amazon Music. Stream ad-free or purchase CD's and MP3s now on balnalatelesupprosivadisbere.coinfo Amazon Music Unlimited HD Prime Music CDs & Vinyl Download Store Open Web Player MP3 cart Settings Blue Light. Ben Webster. From the Album The Jeep Is Blue Light. Listen Now $ In MP3 cart View MP3 Cart. Sitemap Brainkicker - Mash-Hairy / Turn It Off 2009 (Vinyl)
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